COLLECTIVE Adami, Aillaud, Arroyo, Baruchello, Boltanski, Cr - Lot 18

COLLECTIVE Adami, Aillaud, Arroyo, Baruchello, Boltanski, Cremonini, Del Pezzo, Equipo Cronica, Erro, Fromanger, Jacquet, Kermarrec, Klasen, Kowalski, Kudo, Monory, Pommereulle, Rancillac, Raysse, Recalcati, Schlosser, Stämpfli, Velickovic and Zeimert. Portfolio Opus 50, 1974.x000D Published by George Fall Editions in Paris, for the release of the special Opus 50 issue (fiftieth issue of Opus International magazine) in an edition of 150 copies.x000D_ Comprising initially twenty-two (22) prints by Valerio ADAMI (born 1935) (missing plate), Gilles AILLAUD (1928-2005), Eduardo ARROYO (1937-2018), Gianfranco BARUCHELLO (1924-2023), Leonardo CREMONINI (1925-2010), Lucio DEL PEZZO (1933-2020), EQUIPO CRONICA (active from 1964 to 1981), ERRO (born in 1932), Gérard FROMANGER (1939-2021), Alain JACQUET (1939-2008), Joël KERMARREC (1939-2022), Peter KLASEN (born in 1935) Piotr KOWALSKI (1927-2004), Tetsumi KUDO (1935-1990), Jacques MONORY (1924-2018), Daniel POMMEREULLE (1937-2003), Bernard RANCILLAC (1931-2021), Antonio RECALCATI (1938-2022), Gérard SCHLOSSER (1931-2022) Peter STÄMPFLI (born 1937), Vladimir VELICKOVIC (1935-2019), Christian ZEIMERT (1934-2020) and two (2) artist's books by Martial RAYSSE (born 1936) [Riverside D all alone Ankammon] and Christian BOLTANSKI (1944-2021) [Some memories of the First Communion of a girl. Collected and described by Christian Boltanski].x000D_ A long critical text of presentation co-signed by Alain Jouffroy and Gérald Gassiot-Talabot justifies the approach.x000D_ The set is contained in a blue cloth slipcase Each plate and each booklet are signed and justified 74/150. Plate 90 x 56 cm Booklets 16 x 22 cm (Raysse) and 21.8 x 16 cm (Boltanski) The respect of the work of each artist, highlighted by a quality of printing as remarkable as diversified, makes this unique and particularly ambitious set a real state of the art of the Parisian avant-garde of the early 1970s. Set in very good condition. Missing the plate of Valerio Adami