[Photographers] - Collection of works by 11 photographers. - Lot 141

Lot 141
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[Photographers] - Collection of works by 11 photographers. - Lot 141
[Photographers] - Collection of works by 11 photographers. 1/ - Michel Comte. - Aiko T. Göttingen, Steidl Publishers, 2000. Large in-4 (31 x 31.7 cm) ecru publisher's percaline titled in red on the spine and stamped with the letters "AT" in red on the front cover, protective rhodoid, titled slipcase - Illustrated with 66 photographs, some in color. Edition of 500 copies, this one no. 210, justified in pencil and signed by the artist. 2/ - Yorick Blumenfeld. - Blumenfeld [Erik]. Nudes. Paris, Éditions de La Martinière, 1999. In-4, red publisher's cloth titled in black on spine, dust jacket illustrated with black photograph titled in red - 144 pp. Photographs mainly in black. Erik Blumenfeld (1897-1969) was a German photographer who became a naturalized American citizen. He was famous for his fashion photos from the 1940s-1950s, which appeared in Vogue and Harper's Bazar, among other publications. Beautiful tribute by his second son, Yorik. 3/ - William E. Ewing. - Elegance in the '30s. Hoyningen-Huene. Preface by George Cukor. Paris, Denoël, 1986. In-4 percaline with spine titled in gilt, dust jacket illustrated with black photograph (dust jacket damaged) - 248 pp. Illustrated with black photographs and 4 clrs. George Hoyningen-Huene (1900-1968). Russian on his father's side and American on his mother's, he was a famous fashion photographer in Europe and the United States from 1926-1945. In 1946, he discovered cinema. He worked with Cukor on several of his films. 4/ - John Swannell. - Fine lines. London, Melbourne, New-York, Quartet Books, 1982. In-folio, black percaline titled on spine, dust jacket illustrated with black photograph - 127 pp. Illustrated with 70 black photographs sublimating the female body. 5/ - Michel Frizot. - Germaine Krull. Éditions Hazan, Jeu de Paume, 2015. In-4 in black illustrated softcover with flaps - 264 pp. Illustrated with black photographs of the artist. Germaine Krull (1897-1985). 6/ - William Eggleston. Published by Actes Sud on the occasion of the artist's exhibition at the Fondation Cartier from 11/20/2001 to 02/24/2002. In-4 publisher's paperback illustrated in clrs - 143 photographs reproduced in clrs and 13 in black. 7/ - Irina Ionesco. - The Divan. Portfolio. Éditions Borderie, 1981. Introduction by Pierre Bourgeade. In-folio in sheets with titled gray cover, parma-colored box illustrated with a black photograph - [4 pp. of introductory text by Pierre Bourgade accompanied by 4 photographs]. Illustrated with 12 erotic black & white photographic pll. of models Aneka and Lubie, signed by the author and printed on fine heavy paper. First edition. 8/ - Frédéric Barzilay [photographer] - Pieyre de Mandiargues. Les Corps illuminés. Paris, Mercure de France, 1965. First edition. In-4 publisher's paperback illustrated with a black photograph - [6 pp., fx-title, title and text]. Illustrated with 45 black photographs in fine. 9/ - John Hedgecoe. - Aktfotographie. Bindlach, Gondrom, 1991. In-folio (32 x 22.8 cm) in publisher's clrs illustrated boards - 224 pp. Color and black photographs. In fine 30 pp. of technical explanations on the art of studio shooting (technique and equipment). 10/ - Ken Miller. - Open all night. New-York, Woodstock, The Overlook Press, 1995. In-4 in publisher's black percaline, spine titled in gilt, black illustrated dust jacket - 54 pp. Based on excerpts from William T. Vollman's texts, Ken Miller presents poignant portraits of an America populated by skinheads, unbalanced people, prostitutes, drug addicts... 11/ - Fabien Baron. - Liquid Light. 1983-2003. New-York and Göttingen, Steidldangin Publishers, 2008. Oblong folio (27.9 x 34.3 cm), publisher's unbleached percaline with color photograph pasted to front cover, rhodoid titled in white (poor condition) - [10 ff. text]. Illustrated with 100 color photographic plates repeating the same scenic framing. Although each image varies infinitely in detail (weather, time and light, lenses, film, filters), they all retain a fundamental composition: water and sky bisected by the horizon.
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